Ola Rafało, dramatic mezzosoprano, has been called a "Vocal Powerhouse" , and "a Budding baby Cossotto". She has earned critical acclaim in a variety of roles and venues with her “voluptuous”, “contralto like sound” and mesmerizing acting.

   “Ola Rafało proved to be a mezzo to watch, with a strong Stride la Vampa” said Anne Midgette, for theWashington Post, Kennedy Center, at the Washington Chorus’ Essential Verdi concert 2014, where Rafało was featured as Azucena, and Amneris. She performed Fenena in Nabucco (Baltimore Lyric Opera, Opera Carolina), “Rafało produced the best singing of the evening, in spite of her role being smaller. "– L. Gazzola of Opera Lively. Naturally continuing in the Verdi repertory, Ola performed Azucena in Il Trovatore with Opera Forza, and Maddalena in Rigoletto with Gulfshore Opera. She was featured in various galas singing Verdi, including: Gulfshore Opera, Opera Tampa, Springfield Symphony, Teatro Curci.

    Ola started her career as a mezzo in the title role of La Tragedie de Carmen (2013) with Syracuse Opera, making a big splash in “Opera Today” and leading to subsequent performances of the Bizet version with: New Jersey Verismo Opera, Gulfshore Opera, the Lyric Orchestra, and in highlights with the Pacific Symphony. Ola debuted the role of Charlotte in Werther with Martha Cardona Opera, at the Kaufman Center, with natural ease. She also sang highlights from Samson et Dalilah in various venues. She performed the Mother in Menotti’s Amahl and the Night Visitors, with Orlando Opera. Ola received an award from UNESCO for her performance as Alkmene in the Olympic Torch, (a modern Greek opera by P. Karousos). Ola sang Fricka in Die Walküre, and Suzuki in Madama Butterfly, with the Lyric Orchestra. She created the prima donna role in a new work entitled OPERAWARS, that combines the arts of opera, circus, theatre and other artistic elements, with Opera Del Sol. Other Concert highlights include Carnegie Hall as the Alto soloist in Vivaldi’s Gloria, as well as De Falla’s El Amor Brujo with the Pacific Symphony,which she sang with a “fine dusky quality”-L.A. Times. She was honored to perform the alto role in the American premier of Poniatowski’s Mass, with the Paderewski Symphony, an important work of Polish history.

This year’s engagements include Santuzza in Cavalleria Rusticana with Opera Forza in New York City, Ola’s debut with Chicago Opera theatre as the Old Gypsy in Aleko, a recital for the Dame Myrna Hess Memorial concert series, and a recital for the Wagner Society of America. Ola makes her debut with the Israel Philharmonic as Emilia in Verdi’s Otello under Maestro Gianandrea Noseda, followed by Beethoven 9^th Symphony with the Evanston Symphony, concerts in Belgium at Mythos Opera festival, and her first Brangaene in Tristan und Isolde with the Eugene Symphony Orchestra.

Rafało carries dual passports for the U.S. and Poland, and speaks fluent English, Italian, Polish. Making her also a natural interpreter slavic repertoire, in roles such as Olga in Eugene Onegin, Konchakovna in Prince Igor, Pollina in Queen of Spades, and Jadwiga in Straszny Dwor.

Miss Rafało was an apprentice artist at Sarasota Opera, where she received the Leo M.Rogers award, as well as a young artist at Opera Tampa, and Palm Beach Opera. Ola is the 2nd prize winner of the 2017 Altamura-Caruso competition. In 2015 she won Fourth Prize and the Audience choice award from the Young Patronesses of Opera Competition. She has been awarded the Giulietta Simionato career grant from the Inter-city Arts foundation. In 2009, she was awarded the audience prize at the Metropolitan Opera National Council Auditions, Southeast chapter. In 2008, she was awarded Grand Prize of the Elgin Opera competition and First Prize of the Sherrill Milnes Opera Idol competition. 

Photos by Ksenia Poulber

Upcoming performance schedule regularly updated on Facebook: Ola Rafalo, mezzosoprano.

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